On The Edge Research

Developing the role of the artist in society

Follow On The Edge Research on WordPress.com
  • Home
  • About
  • People
    • The Team
    • Research Associates
  • Projects
    • Chronology
    • Cultural leadership and the place of the artist (2015-16)
    • Sounding Drawing 2012
      • Sounding Drawing (Introduction)
      • The Exhibition Structure
      • Artists
        • Tim de Cort
        • Anne Douglas
        • Ann Eysermans
        • Donald Urquhart
      • Musicians
        • Juan Parra Cancino
        • Nico Chkifi
        • Kathleen Coessens
        • Chris Dooks
        • Inne Eysermans
        • Iris Eysermans
        • Mark Hope
        • Audrey Lauro
        • Norman Shaw
        • Frans van Isacker
      • Biographies of participating artists and musicians
      • Thoughts and approaches to Sounding Drawing
    • Improvisation and Experiential Knowledge (2010-12)
      • Calendar Variations (2010-11)
      • Sipping Water (2011-12)
        • Kathleen’s Sipping Water Drawings
        • Anne’s Sipping Water Drawings
        • Amanda’s Sipping Water Drawings
    • Artist as Leader (2007-09)
    • Working in Public (2006-08)
    • Remote Rural Culture and Contemporary Art (2001-05)
  • Public outputs
    • Since 2008
    • 2001-2007
    • Post Graduate Research
  • Contact
  • 17 March, 2026

Seminar 1: Questions and Answers

Seminar 1: Aesthetics and Ethics

I would be interested to hear a little bit more about what you mean by adjacency.

Ed Carroll, City Art Centre Dublin

What qualifies these transactions as art in your view?

Kerstin Mey, University of Ulster

Platform spun off a micro-hydro business as a result of exploring the water in London– Why is that achievement more readily discussed ? Is it too functional?

Chris Fremantle, Independent Arts Consultant

Are artists agents of cultural resistance or critical practitioners?

Stephen Gray, Aberdeenshire Council

How do you compare the development process and the results of art? Are these two separate aesthetics?

Keith Donnelly. South Lanarkshire Council

What is art and what is not art?

Ruth Barker, Glasgow based artist and writer

When do artistic interventions run the risk of aestheticising dissent and create the risk of an indignity of speaking for others?

Adele Patrick, Womens’ Library, Glasgow

Who speaks for whom, where?

Suzanne Lacy (response)

Does the notion of the unforeseen, the indefinable or unpredictable as an ethical event (Levinas), fit into this type of artwork?

Brian Grassom, artist and post doctoral researcher

Back to Seminar 1 Menu

Share this:

  • Share
  • Share on Facebook (Opens in new window) Facebook
  • Share on LinkedIn (Opens in new window) LinkedIn
  • Print (Opens in new window) Print
  • Email a link to a friend (Opens in new window) Email
  • Share on Tumblr (Opens in new window) Tumblr
Like Loading...

Categories

  • Activities
  • Debate
  • Events
  • Leadership
  • News
  • Opportunities
  • Reviews
  • Uncategorized

Institutional

  • Gray's School of Art
  • International Perspectives on Participation and Engagement in the Arts
  • Robert Gordon University

Networks

  • ecoartnetwork
  • Greenmuseum
  • PAR+RS
  • Public Art Online
  • SCAN
  • Scottish Artists Union

Partners

  • Chris Fremantle
  • Department of Anthropology, University of Aberdeen
  • ecoartscotland
  • MIRIAD
  • Orpheus Institute
  • PAL
  • Time of the Clock and Time of the Encounter
  • Woodend Barn

Seminars

  • Discussionsart's Blog

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 87 other subscribers

Return to top of page

Blog at WordPress.com.

  • Subscribe Subscribed
    • On The Edge Research
    • Join 87 other subscribers
    • Already have a WordPress.com account? Log in now.
    • On The Edge Research
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Copy shortlink
    • Report this content
    • View post in Reader
    • Manage subscriptions
    • Collapse this bar
%d