On The Edge’s Jon Price has been invited by the European network ENCATC to give a keynote address to its upcoming 6th Annual Policy Debate in Brussels on Wednesday 22nd June. The event addresses European Cultural Leadership and the Role of the Artist and is targeted at cultural professionals, researchers and policy makers from all over Europe. Jon will be talking about his recent work on the Discourse of Cultural Leadership as well as the wider trajectory of On The Edge research on related topics, from the Artist as Leader onwards. [Read more…]
The Art of Valuing

deBuren, Leopoldstraat
Gate-crashing a Brussels event aimed at Arts Councils and Culture Ministries is to physically visit what is normally a virtual world. This is the land of European Cultural Policy: a place with its own language (policy-speak), its own currency (creativity), and – like much of Europe – a struggling economy. Its religion, naturally, is Culture, whose earthly embodiment is an uneasy trinity of Art, Audience and Sector. There is a great deal of debate as to whether Culture itself, the object of veneration, can be directly approached by the masses or only by initiates. Much time is spent unravelling a mystery called ‘engagement’, which seems to be much like transubstantiation but without the red wine. Finally, there is the sacred quest of ‘evaluation’, which is either a holy grail brimming with eternal funding, or an attempt to look on the face of God and doomed to end in madness (depending on your individual belief and/or job title).
Energy Cities and Cultural Development

Walk Among The Worlds by Maximo Gomez. Photo: Alain Sojourner http://alainsojourner.com/nuit-blanche-toronto-2014-walk-among-the-worlds/
We’ve never been to a conference on the cultural and creative industries at a University that didn’t have someone providing a theoretical critique of the subject. On 1st October Robert Gordon University and the City of Aberdeen co-hosted an event which drew on the experiences of other energy capitals to understand cultural and creative industries development. Pacem critique, this was a morning full of insight into the sorts of strategies, policies and actions that make a difference to cities and see the arts thrive as part of their communities. It benefited from specific experience of being a European Capital of Culture (something Aberdeen aspires to) and it was a good renewal of the process of building a culture and arts development agenda for Aberdeen.
The subtitle was ‘Global Energy Cities and Cultural Illumination’ but the real point is that Energy Cities with strong industrial stories have specific challenges not answered by the narrative of post industrial regeneration.
Jon Price, Chris Fremantle and Mark Hope were amongst a number of researchers and research partners from or associated with Gray’s School of Art (part of the Robert Gordon University) attending the conference. These notes and comments are an immediate response to the presentations from the four cities represented.